3.4
And Telecleides speaks of him as sitting on the acropolis in the greatest perplexity, now heavy of head, and now alone, from the eleven-couched chamber of his head, causing vast uproar to arise. Kock, Com. Att. Frag. i. p. 2220. And Eupolis, in his Demes, having inquiries made about each one of the demagogues as they come up from Hades, says, when Pericles is called out last:— The very head of those below hast thou now brought. Kock, Com. Att. Frag. i. p. 280.
4.1
His teacher in music, most writers state, was Damon (whose name, they say, should be pronounced with the first syllable short); but AristotlePlato, rather, in Plat. Alc. 1 118c. says he had a thorough musical training at the hands of Pythocleides. Now Damon seems to have been a consummate sophist, but to have taken refuge behind the name of music in order to conceal from the multitude his real power, and he associated with Pericles, that political athlete, as it were, in the capacity of rubber and trainer.
4.2
However, Damon was not left unmolested in this use of his lyre as a screen, but was ostracized for being a great schemer and a friend of tyranny, and became a butt of the comic poets. At all events, PlatoPlato the comic poet.Kock, Com. Att. Frag. i. p. 655. represented some one as inquiring of him thus:— In the first place tell me then, I beseech thee, thou who art The Cheiron, as they say, who to Pericles gave his craft.
4.3
Pericles was also a pupil of Zeno the Eleatic, who discoursed on the natural world, like Parmenides, and perfected a species of refutative catch which was sure to bring an opponent to grief; as Timon of Phlius expressed it:— His was a tongue that could argue both ways with a fury resistless, Zeno’s; assailer of all things.
