12.4
After a few days, while still in this helpless plight, Aratus met with a rare piece of good fortune, for a Roman ship put in at the place where he was staying, sometimes on a lookout-place, and sometimes hiding himself. The ship was bound for Syria, but after going on board Aratus persuaded the master of the vessel to convey him as far as Caria. Thither he was conveyed, encountering fresh perils by sea and perils as great as before.
12.5
From Caria, after a long time, he made his way across to Egypt, and found the king both naturally well disposed towards him, and much gratified because Aratus had sent him drawings and paintings from Greece. In these matters Aratus had a refined judgement, and was continually collecting and acquiring works of artistic skill and excellence, especially those of Pamphilus and Melanthus. These he would send to Ptolemy.
13.1
For the fame of Sicyon’s refined and beautiful paintings was still in full bloom, and they alone were thought to have a beauty that was indestructible. Therefore even the great Apelles, when he was already admired, came to Sicyon and gave a talent that he might be admitted into the society of its artists, desiring to share their fame rather than their art. Hence it was that Aratus, although he at once destroyed the other portraits of the tyrants when he had given the city its freedom, deliberated a long time about that of Aristratus (who flourished in the time of Philip of MacedonPhilip II., 382-336 B.C.).
13.2
For it was the work of Melanthus and all his pupils, and Aristratus was painted standing by a chariot in which was a Victory; Apelles also had a hand in the painting, as we are told by Polemon the Topographer. And the work was a marvellous one, so that Aratus was moved by the artistic skill therein; but afterwards, such was his hatred of the tyrants, that he ordered it to be removed and destroyed.
