In music they used to call one of the conventional themes for the flute the Horse Rampant, Cf. Plutarch, Moralia, 704 F. a strain which, as it seems, aroused an ardent desire in horses and imparted it to them at the time of mating. Of the many admirable themes contained in philosophy, that which deals with marriage deserves no less serious attention than any other, for by means of it philosophy weaves a spell over those who are entering together into a lifelong partnership, and renders them gentle and amiable toward each other. I have therefore drawn up a compendium of what you, who have been brought up in the atmosphere of philosophy, have often heard, putting it in the form of brief comparisons that it may be more easily remembered, and I am sending it as a gift for you both to possess in common; and at the same time I pray that the Muses may lend their presence and co-operation to Aphrodite, and may feel that it is no more fitting for them to provide a lyre or lute well attuned than it is to provide that the harmony which concerns marriage and the household shall be well attuned through reason, concord, and philosophy. Indeed, the ancients gave Hermes Hermes as the patron of arts and sciences, including speaking and writing; cf., for example, the familiar instance in Acts xiv. 12. a place at the side of Aphrodite, in the conviction that the pleasure in marriage stands especially in need of reason; and they also assigned a place there to Persuasion and the Graces, so that married people should succeed in attaining their mutual desires by persuasion and not by fighting and quarrelling.
1
Solon Plutarch mentions this again in Moralia, 279 F, and in his Life of Solon, chap. xx. (p. 89 C). directed that the bride should nibble a quince before getting into bed, intimating, presumably, that the delight from lips and speech should be harmonious and pleasant at the outset.
