2.2
But Alexander, well considering of what persons and things it became him to be the hearer and spectator, and with whom to contend and exercise his strength, made it his business to excel all others in the art of war, and according to Aeschylus, to be A mighty warrior, terrible to his foes. For having learned this art from his ancestors, the Aeacidae and Hercules, he gave to other arts their due honor and esteem without the least emulation; embracing and favoring what was in them noble and elegant, but never suffering himself to be carried away with the pleasure of being a practitioner in any. In his time flourished the two tragedians, Thessalus and Athenodorus, who contending for the prize, the Cyprian kings supplied the charges of the theatre, and the judges were to be the most renowned captains of the age. But at length Athenodorus being adjudged the victor; I could have wished, said Alexander, rather to have lost a part of my kingdom than to have seen Thessalus vanquished. Yet he neither interceded with the judges nor anywhere disapproved or blamed the judgment; believing it became him to be superior to all others, only to submit to justice. To the comedian Lyco of Scarphe, who had inserted into one of his scenes certain verses in the nature of a begging petition, he gave ten talents, laughing heartily at the conceit. Aristonicus was in the number of the most famous musicians of those times. This man being slain in battle, strenuously fighting to assist and save his friend, Alexander commanded his statue to be made in brass and set up in the temple of Pythian Apollo, holding his harp in one hand and his spear upright in the other, not only in memory of the person, but in honor of music itself, as exciting to fortitude and inspiring those who are rightly and generously bred to it with a kind of supernatural courage and bravery.
