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I do not approve of those who, to make a complete study of anthills, inspect them, as it were, anatomically. But, be that as it may, they report that the passage leading downward from the opening is not at all straight or easy for any other creature to traverse; it passes through turns and twistsThe intricate galleries of anthills were used for purposes of literary comparisons by the ancients: see the fragment of Pherecrates in Mor. 1142 a and Aristophanes, Thesmophoriazusae, 100 (on Timotheüs and Agathon respectively). with branching tunnels and connecting galleries and terminates in three hollow cavities. One of these is their common dwelling-place, another serves as storeroom for provisions, while in the third they deposit the dying.Aelian, De Natura Animal. vi. 43 divides into men’s apartments, women’s apartments, and storerooms; see also Philo, 42 (p. 120), and Boulenger, Animal Mysteries, pp. 128 ff. for a modern account. On the social life of ants (and animals) as contrasted with that of humans see Dio Chrysostom, xl. 32, 40 f.; xlviii. 16.
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I don’t suppose that you will think it out of order if I introduce elephants directly on top of ants in order that we may concurrently scrutinize the nature of understanding in both the smallest and the largest of creatures, for it is neither suppressed in the latter nor deficient in the former. Let others, then, be astonished that elephants learn, or are taught, to exhibit in the theatre all the many postures and variations of movement that they do, Cf. Mor. 98 e. these being so varied and so complicated to memorize and retain that they are not at all easy even for human artists. For my part, I find the beast’s understanding better manifested in his own spontaneous and uninstructed feelings and movements, in a pure, as it were, and undiluted state.
