4.19
How now? exclaimed Socrates. You boast as though you actually thought yourself a handsomer man than me. Of course, was Critobulus’s reply; otherwise I should be the ugliest of all the Satyrs ever on the stage. Now Socrates, as fortune would have it, really resembled these creatures.This is regarded by some as a comment interpolated in the text, though doubtless true enough. Plato (Symp. 215 A, B, E; 216 C, D; 221 D, E; cf. 222 D) represents Alcibiades as likening Socrates to the Sileni and particularly to the Satyr Marsyas. Vase paintings and statues give an idea of the Greek conception of their coarse features. They regularly formed the chorus in the Satyr-plays that were given in connection with tragedies.
4.20
Come, come, said Socrates; see that you remember to enter a beauty contest with me when the discussion now under way has gone the rounds. And let our judges be not Alexander, Priam’s son,Usually called Paris; the judge of beauty when Hera, Athena, and Aphrodite appealed for a decision. but these very persons whom you consider eager to give you a kiss.
4.21
Would you not entrust the arbitrament to Cleinias, Socrates? Aren’t you ever going to get your mind off Cleinias? was the rejoinder. If I refrain from mentioning his name, do you suppose that I shall have him any the less in mind? Do you not know that I have so clear an image of him in my heart that had I ability as a sculptor or a painter I could produce a likeness of him from this image that would be quite as close as if he were sitting for me in person?
4.22
Why do you annoy me, then, was Socrates’ retort, and keep taking me about to places where you can see him in person, if you possess so faithful an image of him? Because, Socrates, the sight of him in person has the power to delight one, whereas the sight of the image does not give pleasure, but implants a craving for him.