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SOC. Yes, I do. He is the son of Euphronius of Sunium, who is a man of just the sort you describe, and of good repute in other respects; moreover he left a very large property. But the youth’s name I do not know.
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THEO. Theaetetus is his name, Socrates; but I believe the property was squandered by trustees. Nevertheless, Socrates, he is remarkably liberal with his money, too.
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SOC. It is a noble man that you describe. Now please tell him to come here and sit by us.
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THEO. I will. Theaetetus, come here to Socrates.
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SOC. Yes, do so, Theaetetus, that I may look at myself and see what sort of a face I have; for Theodorus says it is like yours. Now if we each had a lyre, and he said we had tuned them to the same key, should we take his word for it without more ado, or should we inquire first whether he who said it was a musician?
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THEAET. We should inquire.
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SOC. Then if we found that he was a musician, we should believe him, but if not, we should refuse to take his word?
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THEAET. Yes.
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SOC. But now, if we are concerned about the likeness of our faces, we must consider whether he who speaks is a painter, or not.
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THEAET. I think we must.
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SOC. Well, is Theodorus a painter?
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THEAET. Not so far as I know.
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SOC. Nor a geometrician, either?
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THEAET. Oh yes, decidedly, Socrates.
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SOC. And an astronomer, and an arithmetician, and a musician, and in general an educated man?
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THEAET. I think so.
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SOC. Well then, if he says, either in praise or blame, that we have some physical resemblance, it is not especially worth while to pay attention to him.
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THEAET. Perhaps not.
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SOC. But what if he should praise the soul of one of us for virtue and wisdom? Is it not worth while for the one who hears to examine eagerly the one who is praised, and for that one to exhibit his qualities with eagerness?
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THEAET. Certainly, Socrates.