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Str. Well, then, all things which we make or acquire are for the sake of doing something or else they are for defence against suffering; and of the defensive class some are spells and antidotes, both divine and human, and some are material defences; and of the material defences some are equipment for war and some are protections; and of protections some are screens and some are defences against heat and cold; and such defences are either shelters or coverings; and coverings are either rugs to spread under us or wrappings to wrap round us; and wrappings are either all of one piece or composed of several pieces; and of the composite garments some are stitched and others put together without stitching; and of the unstitched some are made of the fibres of plants and some are of hair; and of those made with hair some are stuck together with liquids and cement and others are fastened without any such extraneous matter. Now to these protective coverings made of materials fastened without extraneous matter we give the name of clothes; and just as we called the art statecraft which was concerned with the state, so we shall call the art concerned with clothes, from the nature of its activity, clothes-making, shall we not? And may we say further that weaving, in so far as the greatest part of it is, as we saw, concerned with the making of clothes, differs in name only from this art of clothes-making, just as in the other case the royal art differed from statecraft?
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Y. Soc. That is perfectly correct.
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Str. Let us next reflect that a person might think that this description of the art of weaving was satisfactory, because he cannot understand that it has not yet been distinguished from the closely co-operative arts, though it has been separated from many other kindred arts.
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Y. Soc. What kindred arts?