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Orationes

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Orationes Dio Chrysostom
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Yunanca
69 ὥστε οὐκ ἦν αὐτῷ ἀπορία φοβερῶν ὀνομάτων καὶ ἡδέων, ἔτι δὲ λείων καὶ τραχέων καὶ μυρίας ἄλλας ἐχόντων διαφορὰς ἔν τε τοῖς ἤχοις καὶ τοῖς διανοήμασιν. ὑφʼ ἧς ἐποποιίας δυνατὸς ἦν ὁποῖον ἐβούλετο ἐμποιῆσαιτῇ ψυχῇ πάθος. τὸ δὲ ἡμέτερον αὖ γένος, τὸ χειρωνακτικὸν καὶ δημιουργικόν, οὐδαμῇ ἐφικνεῖται τῆς τοιαύτης ἐλευθερίας, ἀλλὰ πρῶτον μὲν ὕλης προσδεόμεθα, ἀσφαλοῦς μὲν ὥστε διαμεῖναι, πολὺν δὲ ἐχούσης κάματον πορισθῆναί τε οὐ ῥᾳδίας, ἔτι δὲ οὐκ ὀλίγων συνεργῶν.
70 πρὸς δὲ αὖ τούτοις ἓν σχῆμα ἑκάστης εἰκόνος ἀνάγκη ἐργάσασθαι, καὶ τοῦτο ἀκίνητον καὶ μένον, ὥστε τὴν πᾶσαν ἐν αὑτῷ τοῦ θεοῦ ξυλλαβεῖν φύσιν καὶ δύναμιν. τοῖς δὲ ποιηταῖς πολλάς τινας μορφὰς καὶ παντοδαπὰ εἴδη περιλαβεῖν τῇ ποιήσει ῥᾴδιον, κινήσεις τε καὶ ἡσυχίας προστιθέντας αὐτοῖς, ὅπως ἂν ἑκάστοτε πρέπειν ἡγῶνται, καὶ ἔργα καὶ λόγους, καὶ προσέτι οἶμαι τὸ τῆς ἀπάτης καὶ τὸ τοῦ χρόνου. μιᾷ γὰρ ἐπινοίᾳ καὶ ὁρμῇ τῆς ψυχῆς ἐνεχθεὶς ὁ ποιητὴς πολύ τι πλῆθος ἐπῶν ἤρυσεν, ὥσπερ ἐκ πηγῆς ὕδατος ὑπερβλύσαντος, πρὶν ἐπιλιπεῖν αὐτὸν καὶ διαρρυῆναι τὸ φάντασμα καὶ τὴν ἐπίνοιαν ἣν ἔλαβε. τὸ δέ γε ἡμέτερον τῆς τέχνης ἐπίπονον καὶ βραδύ, μόλις καὶ κατʼ ὀλίγον προβαῖνον, ἅτε οἶμαι πετρώδει καὶ στερεᾷ κάμνον ὕλῃ.
71 τὸ δὲ πάντων χαλεπώτατον, ἀνάγκη παραμένειν τῷ δημιουργῷ τὴν εἰκόνα ἐν τῇ ψυχῇ τὴν αὐτὴν ἀεί, μέχρις ἂν ἐκτελέσῃ τὸ ἔργον, πολλάκις καὶ πολλοῖς ἔτεσι. καὶ δὴ τὸ λεγόμενον, ὡς ἔστιν ἀκοῆς πιστότερα ὄμματα, ἀληθὲς ἴσως· πολύ γε μὴν δυσπειστότερα καὶ πλείονος δεόμενα ἐναργείας. ἡ μὲν γὰρ ὄψις αὐτοῖς τοῖς ὁρωμένοις συμβάλλει, τὴν δὲ ἀκοὴν οὐκ ἀδύνατον ἀναπτερῶσαι καὶ παραλογίσασθαι, μιμήματα εἰσπέμποντα γεγοητευμένα μέτροις καὶ ἤχοις.
72 καὶ μὴν τά γε ἡμέτερα τῆς τέχνης ἀναγκαῖα μέτρα πλήθους τε πέρι καὶ μεγέθους· τοῖς δὲ ποιηταῖς ἔξεστι καὶ ταῦτα ἐφʼ ὁποσονοῦν αὐξῆσαι. τοιγαροῦν Ὁμήρῳ μὲν ῥᾴδιον ἐγένετο εἰπεῖν τὸ μέγεθος τῆς Ἔριδος, ὅτι οὐρανῷ ἐστήριξε κάρη καὶ ἐπὶ χθονὶ βαίνει· ἐμοὶ δὲ ἀγαπητὸν δήπουθεν πληρῶσαι τὸν ὑπὸ Ἠλείων ἢ Ἀθηναίων ἀποδειχθέντα τόπον.
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