7
All right; they shall have their proper places. But here is a point: suppose one of them is gold, and heavy at that, but not finely finished, quite amateurish and ill proportioned, in fact—is he to take precedence of Myron’s and Polyclitus’s bronze, or Phidias’s and Alcamenes’s marble? or is workmanship to count most?
7
It should by rights. Never mind, put the gold first.
7
I see; property qualification, comparative wealth, is the test, not merit.—Gold to the front row, please.—
8
Zeus the front row will be exclusively barbarian, I observe. You see the peculiarity of the Greek contingent: they have grace and beauty and artistic workmanship, but they are all marble or bronze— the most costly of them only ivory with just an occasional gleam of gold, the merest surface-plating; and even those are wood inside, harbouring whole colonies of mice. Whereas Bendis here, Anubis there, Attis next door, and Mithras and Men, are all of solid gold, heavy and intrinsically precious.
9
Hermes, is it in order that this dog-faced Egyptian person should sit in front of me, Posidon?
9
Certainly. You see, Earth-shaker, the Corinthians had no gold at the time, so Lysippus made you of paltry bronze; Dog-face is a whole gold-mine richer than you. You must put up with being moved back, and not object to the owner of such a golden snout being preferred.
10
Then, Hermes, find me a place in the front row; I am golden.
10
Not so, Aphrodite, if I can trust my eyes; I am purblind, or you are white marble; you were quarried, I take it, from Pentelicus, turned by Praxiteles’s fancy into Aphrodite, and handed over to the Cnidians.
10
Wait; my witness is unexceptionable—Homer. ‘The Golden Aphrodite’ he calls me, up and down his poems.
10
Oh, yes, no doubt; be called Apollo rich, ‘rolling in gold’; but now where will you find Apollo? Somewhere in the third-class seats; his crown has been taken off and his harp pegs stolen by the pirates, you see. So you may think yourself lucky with a place above the fourth.
