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Although I could mention many others among the heroes who were similarly trained and made an art of the thing, I consider Neoptolemus sufficient. Though the son of Achilles, he made a great name for himself in dancing and contributed to it the variety which is most beautiful, called Pyrrhic after him; and upon hearing this about his son, Achilles was more pleased, I am sure, than over his beauty and all his prowess. So, though till then Troy had been impregnable, his skill in dancing took it and tumbled it to the ground.Since Neoptolemus was also called Pyrrhus, it was inevitable that the invention of the Pyrrhic dance should be ascribed to him. According to Archilochus (Fr. 190 Bergk), he originated it when he danced for joy over killing Eurypylus. That Achilles was more pleased to hear of this than when Odysseus told him of his son’s beauty and bravery (Odyssey, XI, 505-540) is known to us only from Lucian, as also the real reason for the fall of Troy. Lucian’s persiflage derives especial point from the fact that by this time the Pyrrhic had become anything but a war-dance. Athenaeus does not hesitate to call it Dionysiac (XIV, 6314) and compare it with the cordax.