Kitap 10
3.14
And when they bring Seilenus and Marsyas and Olympus into one and the same connection, and make them the historical inventors of flutes, they again, a second time, connect the Dionysiac and the Phrygian rites; and they often in a confused manner drum on“Drum on” is an effort to reproduce in English Strabo’s word-play. Ida and Olympus as the same mountain. Now there are four peaks of Ida called Olympus, near Antandria; and there is also the Mysian Olympus, which indeed borders on Ida, but is not the same. At any rate, Sophocles, in his Polyxena, representing Menelaus as in haste to set sail from Troy, but Agamemnon as wishing to remain behind for a short time for the sake of propitiating Athena, introduces Menelaüs as saying,But do thou, here remaining, somewhere in the Idaean land collect flocks of Olympus and offer them in sacrifice.Soph. Fr. 47.9 (Nauck)
3.15
They invented names appropriate to the flute, and to the noises made by castanets, cymbals, and drums, and to their acclamations and shouts of “ev-ah,” and stampings of the feet;Cp. end of section 17 following. and they also invented some of the names by which to designate the ministers, choral dancers, and attendants upon the sacred rites, I mean “Cabeiri” and “Corybantes” and “Pans” and “Satyri” and “Tityri,” and they called the god “Bacchus,” and Rhea “Cybele” or “Cybebe” or “Dindymene” according to the places where she was worshipped. Sabazius also belongs to the Phrygian group and in a way is the child of the Mother, since he too transmitted the rites of Dionysus.Cp. end of section18 following.
