Kitap 3
17.3
On the bronze are wrought in relief many of the labours of Heracles and many of the voluntary exploits he successfully carried out, besides the rape of the daughters of Leucippus and other achievements of the sons of Tyndareus. There is also Hephaestus releasing his mother from the fetters. The legend about this I have already related in my history of Attica.See Paus. 1.20.3. There are also represented nymphs bestowing upon Perseus, who is starting on his enterprise against Medusa in Libya, a cap and the shoes by which he was to be carried through the air. There are also wrought the birth of Athena, Amphitrite, and Poseidon, the largest figures, and those which I thought the best worth seeing.
17.4
There is here another sanctuary of Athena; her surname is the Worker. As you go to the south portico there is a temple of Zeus surnamed Cosmetas (Orderer), and before it is the tomb of Tyndareus. The west portico has two eagles, and upon them are two Victories. Lysander dedicated them to commemorate both his exploits; the one was off Ephesus, when he conquered Antiochus, the captain of Alcibiades, and the Athenian warships and the second occurred later, when he destroyed the Athenian fleet at Aegospotami.
17.5
On the left of the Lady of the Bronze House they have set up a sanctuary of the Muses, because the Lacedaemonians used to go out to fight, not to the sound of the trumpet, but to the music of the flute and the accompaniment of lyre and harp. Behind the Lady of the Bronze House is a temple of Aphrodite Areia (Warlike). The wooden images are as old as any in Greece.
