Kitap 8
14.7
The rest of the account of the people of Pheneus it will be reasonable to accept, but I cannot believe their statement that Odysseus dedicated the bronze image. For men had not yet learned how to make bronze images in one piece, after the manner of those weaving a garment. Their method of working bronze statues I have already described when speaking of the image of Zeus Most High in my history of the Spartans.See Paus. 3.17.6.
14.8
The first men to melt bronze and to cast images were the Samians Rhoecus the son of Philaeus and Theodorus the son of Telecles. Theodorus also made the emerald signet, which Polycrates, the tyrant of Samos, constantly wore, being exceedingly proud of it.
14.9
As you go down from the acropolis of Pheneus you come to a stadium, and on a hill stands a tomb of Iphicles, the brother of Heracles and the father of Iolaus. Iolaus, according to the Greek account, shared most of the labours of Heracles, but his father Iphicles, in the first battle fought by Heracles against the Eleans and Augeas, was wounded by the sons of Actor, who were called after their mother Moline. In a fainting condition he was carried by his relatives to Pheneus, where he was carefully nursed by Buphagus, a citizen of Pheneus, and by his wife Promne, who also buried him when he died of his wound.
14.10
They still sacrifice to Iphicles as to a hero, and of the gods the people of Pheneus worship most Hermes, in whose honor they celebrate the games called Hermaea; they have also a temple of Hermes, and a stone image, made by an Athenian, Eucheir the son of Eubulides. Behind the temple is the grave of Myrtilus. The Greeks say that he was the son of Hermes, and that he served as charioteer to Oenomaus. Whenever a man arrived to woo the daughter of Oenomaus, Myrtilus craftily drove on the mares, while Oenomaus on the course shot down the wooer when he came near.
