8.30
And I aver that even in the case of Ganymede, it was not his person but his spiritual character that influenced Zeus to carry him up to Olympus. This is confirmed by his very name. Homer, you remember, has the words, He joys to hear;Nothing like the first expression, except the bare occurrence of γάνυται (he joys), is to be found anywhere in the extant Homeric poems. The second phrase, also, is not in these poems, although several different expressions much resembling it are to be seen in the Iliad, vii. 278, xvii. 325, xviii. 363, xxiv. 88, 282, 674 and the Odyssey, ii. 38, xi. 445, xix. 353, xx. 46. Either Xenophon’s memory is faulty or he is quoting from some of the lost epics. Perhaps Homeric Poems that is to say, he rejoices to hear; and in another place, harbouring shrewd devices in his heart. Perhaps Iliad, 7.278, 17.325, 18.363, 24.88, 282, 674 or Odyssey, 2.38, 11.445, 19.353, 20.46. This, again, means harbouring wise counsels in his heart. So the name given Ganymede, compounded of the two foregoing elements, signifies not physically but mentally attractive;Socrates takes the name Ganymede to be a compound of the two archaic words γάνυται he joys, exults and μήδεα devices, thoughts. hence his honour among the gods.
8.31
Or again, Niceratus, Homer pictures us Achilles looking upon Patroclus not as the object of his passion but as a comrade, and in this spirit signally avenging his death. So we have songs telling also how Orestes, Pylades, Theseus, Peirithous, and many other illustrious demi-gods wrought glorious deeds of valour side by side, not because they shared a common bed but because of mutual admiration and respect.
