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The sufferings they endured with and for one another our ancestors recorded -on a brazen pillar in the Oresteum; and they made it law, that the education of their children should begin with committing to memory all that is inscribed thereon. More easily shall a child forget his own father’s name than be at fault in the achievements of Orestes and Pylades. Again, in the temple corridor are pictures by the artists of old, illustrating the story set forth on the pillar. Orestes is first shown on shipboard, with his friend at his side. Next, the ship has gone to pieces on the rocks; Orestes is captured and bound; already Iphigenia prepares the two victims for sacrifice. But on the opposite wall we see that Orestes has broken free; he slays Thoas and many a Scythian; and the last scene shows them sailing away, with Iphigenia and the Goddess; the Scythians clutch vainly at the receding vessel; they cling to the rudder, they strive to clamber on board; at last, utterly baffled, they swim back to the shore, wounded or terrified. It is at this point in their conflict with the Scythians that the devotion of the friends is best illustrated: the painter makes each of them disregard his own enemies, and ward off his friend’s assailants, seeking to intercept the arrows before they can reach him, and counting lightly of death, if he can save his friend, and receive in his own person the wounds that are meant for the other.
